Monday, May 10, 2010

Aphrodesia - Lagos by Bus (2007)


Artist: Aphrodesia
Title Of Album: Lagos by Bus
Year Of Release: 2007
Label: Cyberset Music
Genre: Afro-beat / Experimental / Funk
Format: MP3
Bitrate: CBR 192 kbps
Tracks: 9
Total Time: 47:30 min
Total Size: 68 MB
WebSite: aphrodesia.org

Tracklist:

1. Virgin of the Sun God (5:03)
2. White Elephant (3:34)
3. Holy Ghost Invasion (1:55)
4. Bus Driver (7:39)
5. Ago Mado (1:33)
6. Ochun Mi (6:26)
7. Every Day (7:08)
8. Agayu (6:21)
9. World Under Fire (7:49)

- Clique Aqui:

APHRODESIA'S NEW ALBUM IS HERE! 'PRECIOUS COMMODITY' FEATURES 11 BRAND NEW TRACKS It's been quite a ride for Aphrodesia since their birth in 2003: a pilgrimage to the legendary Shrine nightclub in Lagos, Nigeria in 2006, a cross-country voter-registration tour in a vegetable oil-powered bus in 2004 and accolades everywhere from National Public Radio to USA Today. Through it all the San Francisco-based 11-piece ensemble has won audiences over with an eclectic, unique sound- a blend of rich, female lead vocals and slamming horn-laden polyrhythmic funk that Global Rhythm Magazine called “a Pan-African mash-up.”

While the members of Aphrodesia are admirers of West African styles like afrobeat and Highlife- enough so that the group spent a month performing and living in Ghana in 2006, in the process journeying through Togo and Benin to Nigeria to perform at the Shrine with Femi Kuti- the group's sound has always included touches of funk, dub, Zimbabwean trance, hip-hop and global pop. The band's third studio album- “Lagos By Bus” released in November of 2007 and packed with songs written during and about their month in Africa- further solidified their diverse sound, with Global Rhythm Magazine calling it "their most patient and incisive effort to date." The new "Precious Commodity"- unquestionably the band's hardest-hitting and most diverse record yet, with the now-trademark thight rhythm section and dual lead vocals of Lara Maykovich and Maya Dorn augmented by squealing guitars and distorted thumb pianos (the latter perhaps a nod to Konono no. 1, whom Aphrodesia shared a bill with in 2008).

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