Wednesday, October 02, 2013

Herbie Hancock - Fat Albert Rotunda (1969)



Herbie Hancock - Fat Albert Rotunda (1969)

Artist: Herbie Hancock
Title Of Album:Fat Albert Rotunda
Year Of Release: 1969
Label: Warner Music
Genre: Jazz Funk
Format: MP3
Quality: 320 kbps I 44.1 Khz I Joint Stereo
Total Time: 00:33:57
Total Size: 93 mb

Review by Richard S. Ginell

Centered around some soundtrack music that Herbie Hancock wrote for Bill Cosby's Fat Albert cartoon show, Fat Albert Rotunda was Hancock's first full-fledged venture into jazz-funk -- and his last until Head Hunters -- making it a prophetic release. At the same time, it was far different in sound from his later funk ventures, concentrating on a romping, late-'60s-vintage R&B-oriented sound. with frequent horn riffs and great rhythmic comping and complex solos from Hancock's Fender Rhodes electric piano. The syllables of the titles alone -- "Wiggle Waggle," "Fat Mama," "Oh! Oh! Here He Comes" -- have a rhythm and feeling that tell you exactly how this music saunters and swaggers along -- just like the jolly cartoon character. But there is more to this record than fatback funk. There is the haunting, harmonically sophisticated "Tell Me a Bedtime Story" (which ought to become a jazz standard), and the similarly relaxed "Jessica." The sextet on hand is a star-studded bunch, with Joe Henderson in funky and free moods on tenor sax, Johnny Coles on trumpet, Garnett Brown on trombone, Buster Williams on bass, and Albert "Tootie" Heath on drums. Only Williams would remain for Hancock's 1977 electric V.S.O.P.: The Quintet album to come. In addition, trumpeter Joe Newman, saxophonist Joe Farrell, guitarist Eric Gale, and drummer Bernard Purdie make guest appearances on two tracks.


Tracks:

1. Wiggle-Waggle - 5:51
2. Fat Mama - 3:49
3. Tell Me A Bedtime Story - 5:01
4. Oh! Oh! Here He Comes - 4:08
5. Jessica - 4:13
6. Fat Albert Rotunda - 6:29
7. Lil' Brother - 4:26

Personnel:

* Herbie Hancock — piano, electric piano
* Joe Henderson — tenor sax, alto flute
* Garnett Brown — trombone
* Johnny Coles — trumpet, flugelhorn
* Buster Williams — electric & acoustic bass
* Albert "Tootie" Heath — drums

Wednesday, September 25, 2013

Rose Royce - II: In Full Bloom (1977) Mp3 CBR 320 kbps

Rose Royce  - II: In Full Bloom (1977) Mp3 CBR 320 kbps

Artist: Rose Royce
Title Of Album: II: In Full Bloom
Year Of Release: 1977 (Remaster 1990)
Label: Warner Bros. Records | 3074-2
Genre: Soul, Funk, Disco
Quality: Mp3
Bitrate: CBR 320 kbps
Total Time: 41:32
Total Size: 111 MB (Scans)


Tracklist:

1. Rose Royce - Wishing On A Star (4:51)
2. Rose Royce - You Can'T Please Everybody (3:49)
3. Rose Royce - Ooh Boy (4:16)
4. Rose Royce - Do Your Dance (9:17)
5. Rose Royce - You'Re My World Girl (4:10)
6. Rose Royce - Love, More Love (3:16)
7. Rose Royce - Funk Factory (3:06)
8. Rose Royce - It Makes You Feel Like Dancin' (8:46)

Rose Royce  - II: In Full Bloom (1977) Mp3 CBR 320 kbps



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Monday, September 23, 2013

Jayme Marques - Fifty Fifty - 1977




Jayme Marques (Campo Grande, Brasil, 12 de junho, 1936) é um guitarrista, cantor, arranjador e compositor brasileiro, conhecido por introduzir a música brasileira na Europa nas figuras de Bossa Nova e Samba Jazz, que se tornou ícone na Espanha, promovendo e ajudando a consolidar o Jazz no país desde então. Ao longo de sua carreira, ele publicou vários álbuns de estúdio, ao vivo, compilações, trilhas sonoras e outras contribuições e participou de vários comerciais de TV e recebendo vários prêmios em diferentes paisagens musicais. Ele colaborou e dividiu o palco com artistas internacionais, como Jacques Brel, Tom Jones, Maria Creuza, Pat Metheny, Josephine Baker, Matt Monro, Celia Cruz, Machito, Agostinho dos Santos, Lionel Hampton, Thad Jones, Cachao e Maysa Matarazzo, e com vários cantores espanhóis e músicos como Pedro Iturralde, Paco de Lucia, Augusto Algueró, Tete Montoliu, Ramon Sanchez Farran [carece de fontes] e Joan Manuel Serrat, entre outros. Durante os mais de 50 anos ele tem sido ativo no mundo da música para o presente, tem sido caracterizada por preferir performances ao vivo, seja acompanhado por músicos ou sozinho apenas com o apoio de sua guitarra, procurando uma cumplicidade com o público, o que já lhe rendeu grande respeito no mundo da música e tornou-se figura emblemática e indispensável em clubes de jazz em toda a Europa.