Raul De Souza - Colors (1975)

Artist: Raul De Souza
Title Of Album: Colors
Year Of Release: 2011
Label: BGP Records / CDBGPM239
Genre: Fusion, Funk, Modal, Latin Jazz
Total Time: 40:41 min

This was Brazilian trombonist Raul De Souza's debut LP for Orrin Keepnews' Milestone jazz label. It was first released in 1975 and now something of a collectors' item, it's been revived by Ace's BGP imprint. It's a fine fusion set laced with piquant touches of Brazilian flavouring and the occasional soupþon of greasy funk. At the production helm is De Souza's fellow countryman, legendary percussionist Airto Moreira who enlisted famous US bebop trombonist, J. J. Johnson, to arrange a six-piece horn/reed section. With Jack DeJohnette on drums (he played with Moreira in Miles Davis's early '70s band), Richard Davis on bass, and a couple of strong cameos from alto sax giant, Cannonball Adderley, 'Colors' turns out to be a hugely enjoyable set. There's a superb rendering of the Joe Zawinul-penned 'Dr Honoris Causa' (originally written as a tribute to Herbie Hancock) with De Souza bringing new sonorities to the melody line, thanks to the rich, full-bodied tone of his trombone.

Cast from a different mould is 'Festival,' a highly propulsive Latin-inflected groove driven by a Brazilian samba beat and dominated by oodles of percussion. Another highlight is 'Canto De Ossanha,' a swaggering large ensemble piece featuring some great interplay between De Souza and Cannonball Adderley (sadly it was one of Cannon's last sideman appearances û he died nine months later). A lovely, plaintive version of Chick Corea's 'Crystal Silence' demonstrates (especially in its ruminative opening before the song really takes off) that the Brazilian trombonist could play with great sensitivity when required. After this impressive album û his first in the USA - the hirsute De Souza (who boasted a humongous Afro hairdo) signed to Capitol in the late-'70s and recorded three LPs (including the excellent 'Sweet Lucy'). But it was with 'Colors' that his reputation started to grow.

TRACKLIST:

1 - Nana
2 - Canto de Ossanha
3 - Water Buffalo
4 - Dr. Honoris Causa
5 - Festival
6 - Crystal Silence
7 - Chants To Burn

Raul De Souza-Banana Tree

Roy Ayers - Let's Do It 1978 [Japan Edition] (2009)

 

Artist: Roy Ayers
Title Of Album: Let's Do It
Year Of Release: 1978 (Remastered 2009)
Label: Polydor/Universal | PROA-285
Country: USA
Genre: Jazz-Funk, Soul Jazz, Fusion
Quality: FLAC (tracks+.cue,.log) | MP3
Bitrate: Lossless | CBR 320 kbps
Total Time: 39:27
Total Size: 270 MB | 94 MB (Covers)

Review by Alex Henderson:

It's always regrettable when a talented jazz improviser puts jazz on the back burner, and that's exactly what Roy Ayers did when he made soul and funk his primary emphasis in the late '70s. As a jazz vibist, Ayers showed great potential in the '60s and early '70s, so it's understandable that jazz lovers were sorry to see him give up instrumental jazz. But when jazz purists claimed that Ayers' soul/funk output was worthless, they were dead wrong. The truth is that while Let's Do It doesn't have much to offer from a jazz standpoint, it's an excellent R&B outing. Ayers and Ubiquity are as appealing on the infectious funk hit "Freaky Deaky" as they are on "Kiss," "You Came Into My Life," and other examples of mellow, relaxed quiet storm music. While the LP's more mellow offerings have jazz overtones, it's important to realize that they're R&B tunes first and foremost -- saying that something is jazzy is not the same as calling it jazz. Let's Do It isn't the place to go looking for either acoustic jazz or electric jazz-fusion, but it's well worth obtaining if you're interested in '70s soul/funk.

Tracklist:

01. Let's Do It (Ayers-Allen) - 5:27
02. Melody Maker (Allen) - 5:04
03. When Is Real Real? (Ayers-Kinnard) - 8:07
04. Sweet Tears (Ayers-Weaver) - 6:46
05. You Came into My Life (Ayers-Ayers-Ayers III) - 4:06
06. Freaky Deaky (Birdsong-Ayers) - 5:34
07. Kiss (Ayers) - 4:23

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