Dj Uilson Present's - Issac Hayes

  1- Intro Theme Fron Shaft Shaft II The End Theme Shaft 
  2- Persuit of the Pimpmobile ( truck Turner ) 
  3- Joe Bell ( Tough Guys ) 
  4- Breakthrough ( Truck Turner ) 
  5- Hung up on My Baby ( Tough Guys ) 
  6- Café Regio’s ( Shaft ) 7- Joy - Part. 1 ( joy ) 
  8- Never Gonna Give You Up ( Black Moses) 
  9- A Friend’s Place ( Shaft ) 
 10- Medley – “ Ike’s Rap” “ Help Me Love “ ( Black Moses ) 
 11- Run Fay Run ( Tough Guys) 
 12- Dorinda’s Party ( Truck Turner) 
 13- Title Theme( Tough Guys) 
 14- Do Your Thing ( Shaft )

Azymuth - Faça De Conta

Azymuth - Avenida Das Mangueiras.wmv

Morre aos 66 anos José Roberto Bertrami, tecladista do Azymuth

O músico José Roberto Bertrami, do Azymuth, morreu neste domingo (8), aos 66 anos, após semanas internado em um hospital. A notícia foi publicada na página da banda no Facebook. "Luto. É com muita tristeza em nossos corações que anunciamos o falecimento do nosso irmão de som José Roberto Bertrami (21/02/1946 - 08/07/2012), após um período de luta", diz a mensagem publicada por Alex Malheiros e Ivan Conti Mamão. "Tudo começou numa Linha do Horizonte, outros tantos horizontes alcançamos, bastava apenas um olhar e sabíamos onde alcançar o voo de nossos sucessos pelo mundo. Quantos sons, alegrias e obstáculos... Chegou a um ponto que nada nos separava. E de maneira nenhuma a sua maestria e amizade vais nos deixar... Foram 45 anos juntos... Eu e Alex, os seus eternos companheiros do Azymuth. Vá em paz, vá com Deus!", desabafa Mamão em outra homenagem no Facebook. Ed Motta também lamentou a morte de Bertrami na rede social, lembrando que ouviu o Azymuth pela primeira vez quando tinha dez anos de idade. "Bertrami foi um embaixador da cultura brasileira sem ser brasilianista, careta, regional. Sempre fez música super brasileira mas através de teclados elétricos, sintetizadores analógicos. (...) Bertrami manjava do comping de jazz aliado aos grooves, as levadas brasileiras", exalta o músico. "Fico mega triste também porque estava para convidar o Bertrami para tocar no meu novo disco, isso já estava no papel desde o começo..." José Roberto Bertrami (teclado), Alex Malheiros (baixo) e Ivan Conti Mamão (bateria) começaram a carreira tocando no Canecão, no Rio, no início dos anos 70. Na época, o trio formou o Grupo Seleção, e se apresentava em diversas casas noturnas cariocas. Da trilha sonora composta para o filme "O Fabuloso Fittipaldi" (1973), o trio tirou o nome Azymuth. Dois anos depois, colocou nas ruas seu primeiro disco de sucesso, "Linha do Horizonte. No ano em que lançou "Águia Não Come Mosca", 1977, o Azymuth foi convidado para o Festival de Jazz de Montreux, na Suíça, e tornou-se o primeiro grupo brasileiro a participar do prestigiado evento. No ano seguinte o trio fez uma turnê pelos EUA e, em 1979, gravou seu primeiro álbum internacional, "Light as a Feather", pela Milestone Records. A música "Jazz Carnival" foi responsável pelo sucesso da banda lá fora --ela manteve o disco no topo das paradas britânicas por um ano e, com isso, fez o Azymuth entrar para o livro Guinness dos Recordes. Em 1995, o Azymuth assinou com a Far Out Recordings, pela qual lançou cerca de dez discos, incluindo o trabalho mais recente, "Aurora", de 2011. Em seu site oficial, a gravadora publicou uma nota sobre a morte do músico: "Ze Bertrami ficou conhecido por criar o fascinante 'samba doido', uma mistura de samba, jazz, funk e rock com um contagiante suingue que teve uma grande influência na música brasileira por meio de seus projetos solo e colaborações", diz o comunicado. "Joe Davis e Far Out Recordings perderam um de seus amigos mais queridos e o músico mais talentoso que lapidou a sonoridade do selo e a música brasileira por cinco décadas. Sentiremos muito a falta dele."

Sivuca - Samba Nouvelle Vague (1962)

Artist: Sivuca
Title Of Album: Samba Nouvelle Vague
Year Of Release: 1962 (CD 2007)
Label: Universal Music France
Genre: Jazz/Bossa Nova
Quality: Mp3
Bitrate: Lossless CBR 320 kbps
Total Time: 54:15
Total Size: 249 MB 236 MB (Scans)


"Noted composer, arranger, and accordionist, Sivuca developed a very successful international solo career after having performed with Baden Powell, Toots Thielemans, Chiquinho do Acordeon, Radamés Gnattali, Rosinha de Valença, Waldir Azevedo, Harry Belafonte, and Miriam Makeba, among many others. As a composer, Sivuca wrote the classics 'Adeus, Maria Fulô' (with Humberto Teixeira), 'João e Maria' (with Chico Buarque), and had hits with 'Feira de Mangaio' (with his wife Glorinha Gadelha) recorded by Clara Nunes and 'No Tempo dos Quintais' (with Paulo Tapajós). His partners were artists such as Paulinho Tapajós, Paulo César Pinheiro, Luís Bandeira, Armandinho, Hermeto Pascoal, and Chiquinho do Acordeon.
Having taken the accordion very early, at nine Sivuca was already playing for a living in fairs and parties. Six years later, he moved to Recife (Pernambuco), where he debuted at the Rádio Guararapes. Hired by the Rádio Clube de Pernambuco, Sivuca performed in that outing for three years, both in solo acts and as a member of its regional, switching to Rádio Jornal do Comércio in 1948. There he learned music theory with the other musicians of the orchestra and then with its newly appointed conductor, Guerra-Peixe. Carmélia Alves, touring Recife in 1949, discovered him and brought him to São Paulo, where he backed her up in a recording that same year. In São Paulo, Sivuca was hired by the Rádio Record and in 1951, he recorded his first album with the choros 'Tico-Tico no Fubá' (Zequinha de Abreu) and 'Carioquinha no Flamengo' (Waldir Azevedo/Bonfiglio de Oliveira). With the international success enjoyed by the baião in the '50s and the consequent need of good Northeastern music and instrument players, Sivuca's career gathered momentum as he was the right man in the right moment and place. Still in 1951, he accompanied Carmélia Alves on the medley 'No Mundo do Baião' and recorded his second solo album with the frevo 'Frevo dos Vassourinhas Número 1' (Matias da Rocha) and the baião 'Sivuca no Baião' (Luíz Gonzaga/Humberto Teixeira). In the next year, he started to record originals with the choros 'Entardecendo' and 'Choro Baixo' (with Luís Bandeira), recording in the next year his baião 'Feijoada.' At the same time, Sivuca realized solo performances in São Paulo backed by his regional and also by the orchestras led by Hervê Cordovil and Gabriel Migliori, while he continued to perform on the Rádio Jornal do Comércio do Recife. In 1955, he was hired by the powerful nationwide network Diários Associados to work at the Rádio and TV Tupi (Rio de Janeiro), where he stayed until four years later. In 1958, as a member of Os Brasileiros, he toured Europe in one of the Brazilian Music Caravans sponsored by the Brazilian government. The group, led by conductor Guio de Morais, performed a three-month season with the Trio Iraquitã, Abel Ferreira, Pernambuco, and Dimas. In 1959, fired by Tupi for having participated in a strike for better salaries, Sivuca moved to Europe where he performed for three months with the group Brasília Ritmos (which had Waldir Azevedo as a member). After that, he was hired by a Portuguese club and then settled in Paris, France, where he lived until 1964, recording in 1962 through Barclay the LP Rendez-Vous a Rio. Having returned to Recife in 1964, in the same year he went to the U.S. with Carmen Costa, where he was invited by Miriam Makeba's husband/manager to join her group as a guitarist. Holding that position for four years, Sivuca became the director of Makeba's group and toured Africa, Europe, Asia, and America. Returning to New York in 1969, Sivuca directed the music and performed in the musical Joy, which opened in 1970. Having performed in San Francisco and Chicago, in live shows and on TV, in 1971 Sivuca was invited by Belafonte to join his group. Staying with Belafonte until 1975 as his guitarist, keyboardist, and arranger, Sivuca at the same time recorded solo albums in the U.S., including the praised Live at the Village Gate, where he interpreted 'Adeus Maria Fulô.' Returning to Brazil in 1977, he performed a live recorded show with Rosinha de Valença at the Teatro João Caetano (Rio de Janeiro), released as the LP Sivuca e Rosinha de Valença. In 1978, he had another hit with 'João e Maria' in the recording realized by Chico Buarque and his sister Miúcha. Six years later, Sivuca recorded another memorable LP, this time shared with Chiquinho do Acordeon and with the participation of Radamés Gnattali, Sivuca e Chiquinho. In the next year, he recorded three albums in Sweden, with Chiko's Bar/Sivuca e Toots Thielemans deserving especial mention. During the '80s and '90s, his schedule slowed somewhat, although he recorded an important LP with Rildo Hora in 1987 (Sanfona e Realejo) and performed with Baden Powell in Paris in 1997."


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Lalo Schifrin - Black Widow (1976)

Artist: Lalo Schifrin
Title Of Album: Black Widow
Year Of Release: 1976 (2001)
Label: Sony Music
Genre: Electronic, Jazz, Jazz-Funk, Disco
Quality: Mp3
Bitrate: CBR 320kbps
Total Time: 01:03:24
Total Size: 155MB (Covers)

Tracklist:

01. Black Widow (L. Schifrin) - 4:11
02. Flamingo (T. Grouya, E. Anderson) - 4:31
03. Quiet Village (L. Baxter) - 5:45
04. Moonglow & Theme from "Picnic" (W. Hudson, E. DeLange, I. Mills, G. Duning) - 6:13
05. Jaws (J. Williams) - 6:01
06. Baia (A. Barroso, R. Gilbert) - 4:49
07. Turning Point (L. Schifrin) - 3:29
08. Dragonfly (L. Schifrin) - 5:45
09. Frenesi (A. Dominguez, R. Charles, S. Russell) - 3:53
10. Tabu (M. Lecuona, S. Russell) - 4:33
11. Baia (alt. take) - 7:44
12. Con Alma (L. Schifrin) - 6:30

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VA - Impossible And Other Thrilling Themes (Lalo Schifrin) (2008)

Artist: VA
Title Of Album: Impossible And Other Thrilling Themes (Lalo Schifrin)
Year Of Release: 2008
Label: Verve
Genre: Jazz
Quality: mp3
Bitrate: 320kbps
Total Time: 57:30 min
Total Size: 139.35 Mb (+5% rec)

Tracklist

1. Mission Impossible (2:32)
2. Machinations (2:43)
3. Lalo's Bossa Nova (Samba Para Dos) (2:15)
4. The Man From Thrush (2:57)
5. Secret Code (2:30)
6. The Fakir (Cal Tjader feat. Lalo Schifrin) (3:18)
7. Just One Of Those Things (Lalo Schifrin & Bob Brookmeyer) (3:21)
8. The Wave (2:41)
9. Mannix (2:28)
10. Theme From Joy House (Jimmy Smith feat. Lalo Schifrin) (4:39)
11. Dissolving (2:33)
12. Agnus Dei (4:19)
13. Bossa Antique (3:30)
14. Bachianas Brasileiras #5 (3:53)
15. How To Open At Will The Most Beautiful Window (3:03)
16. Prelude #2 (5:01)
17. Silvia (3:10)
18. Bridge Of The Wind (2:37)

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